Radiomicrophones / Wireless Microphones
visit our secure online store


Introduction
You
may be a little bewildered by the range of prices and types of
radiomicrophones, so here's a short introduction followed by the
technicalities
The
quality and price of radiomicrophones ranges from entry level home disco and 'karaoke'
types costing £80 or less right up to thousands of pounds for broadcast
quality products. The main differences will be in transmission
range, reliability of the radio (RF) link, robustness of the hardware,
and the audio / sound quality. With the cheapest, don't expect
more than about 20 metres of range - any more, and you'll get gaps, or
drop-outs, in the coverage, which may at worst give you a brief
'shhhtt' noise rather than silence
More expensive, and you'll
get a 'diversity' receiver with your radiomicrophone. Diversity
means two separate receivers in one box, with two separate receiving
antennas or aerials. The receiver that's getting the better
signal is selected automatically -- so there's a good chance that if
one receiver sees a gap in coverage, the other one is still working
well. (But watch out -- some cheaper receiver boxes have two
antennas but are not diversity)
There are three different types of radiomicrophone transmitter:
Hand-held
transmitters have the microphone and transmitter in the same microphone
casing
Add-on
transmitters fit on to standard microphones, making them into hand-held radiomicrophones
Bodyworn beltpack transmitters allow clothing clip microphones, headworn microphones (headmics)
and guitars etc. to connect to a separate radiomicrophone transmitter that is worn on a belt or in a pocket
There are two legal radio
bands in the UK that don't require a licence for use – these are called
de-regulated frequencies. The older VHF one is between 173.8 and
175.0 MHz (megahertz) - this is often termed ‘legacy frequency’ and the
newer UHF one is between 863.0 and 865.0 MHz. The UHF one is a
pan-European allocation, but note that other European countries also
allocate other bands, so don't assume that a radiomicrophone bought in Europe
is legal to use in the UK
Manufacturers label the
frequency of their radiomicrophones on the equipment and sales literature
etc. Naturally, if you are going to use more than one, each needs
to have its own frequency. Some radiomicrophones allow the user
to select from a range of frequencies. Do not assume that you will be
able to use all frequencies, as intermodulation distortion and
interference are common problems – often it is best to have at least 350
kHz between the frequencies you are using – 500 kHz between
the frequencies is even better
Radiomicrophones all need a
battery. Some designs use a PP3 9V battery, and operate for a
time between 3 and 8 hours from an alkaline battery. Newer types
often use a pair of AA or AAA cells and last for 5 to 10 hours. Be
aware that the when the battery in a radiomicrophone transmitter gets low on
voltage (around 8.2v for a PP3, for instance) the radiomicrophone audio signal
(your voice) will often be muted by the radiomicrophone receiver
VHF or UHF?
In 2011 we tend to use UHF radiomicrophones rather than VHF radiomicrophones
UHF
(Ultra High Frequency) radiomicrophones operate between 606 MHz and 870 MHz
whilst VHF (Very High Frequency) types operate between 173 MHz and 220 MHz.
Manufactures are tending to put less effort into VHF systems and all
but entry level systems will be using UHF
If you are using
VHF systems use frequencies 173.800 to 175.000 MHz as they are
license exempt / de-regulated and can be used free of charge in the UK. Please be aware
that 174.800 tends to have intermodulation problems and if you need to
use frequencies other than these you will need a license from JFMG - see chart
|
VHF deregulated frequencies
Anyone
can use these frequencies for MPT1345/1311 type approved equipment
|
VHF regulated frequencies
MPT1350
type approved equipment may only be used at the licensed site
|
VHF regulated frequencies
MPT1350
type approved equipment may be used anywhere in the UK
|
|
Deregulated -
Free of charge
|
See www.jfmg.co.uk
for licence requirements
|
See www.jfmg.co.uk
for licence requirements
|
|
173.800 MHz
174.000 MHz
174.100 MHz (older systems)
174.200 MHz
174.400 MHz
174.500 MHz (older systems)
174.600 MHz
174.800 MHz *
175.000 MHz
* OK on
it's own but may interfere with other units.
|
176.400 MHz
177.000 MHz
192.300 MHz
200.100 MHz
207.700 MHz
208.100 MHz
|
175.250
MHz *
175.525 MHz
176.600 MHz
*
191.900 MHz
192.800 MHz
193.000 MHz
199.700 MHz
200.300 MHz
200.600 MHz
208.300 MHz
208.600 MHz
209.000 MHz
216.100 MHz
216.600 MHz
216.800 MHz
|
Radiomicrophones or In-Ear Monitoring (IEM)?
Please
note that although this page is about radiomicrophones the concepts
apply equally to In-Ear Monitoring (IEM) systems too – as these use the
same UHF. So, when you’re thinking about how many channels and
licences you need for your radio equipment don’t just count your
radiomicrophones consider your In-Ear Monitors as well
UHF Frequency and Channels
When radio frequencies are talked about, they are often referred by their channel number such as “channel 69”
Here is a simple list describing the channels that are often used for radiomicrophones in the UK:
Channel
38 - 606 to 614 MHz - Shared with television also used
for talkback systems as well as radiomicrophones
Channel 69 - 854 to 862 MHz - Radio Microphones and other point to point audio links
Channel 70 - 863 to 865 MHz - De-regulated / License Exempt Radio Microphones
Example Sets of Ch 70 Usable UHF Frequencies
Here
are example sets of 4 usable frequencies in the de-regulated band (Ch
70) that have been tested for (their lack of) intermodulation:
Mic 1 863.250 MHz
Mic 2 863.750 MHz
Mic 3 864.625 MHz
Mic 4 864.990 MHz
or
Mic 1 863.100 MHz
Mic 2 863.900 MHz
Mic 3 864.500 MHz
Mic 4 864.900 MHz
However Sennheiser recommend the following 4 frequencies:
Mic 1 863.100 MHz
Mic 2 863.500 MHz
Mic 3 864.300 MHz
Mic 4 864.900 MHz
If
you need to use more than 4 radiomicrophones then you currently have just two
choices - purchase a license from JFMG and use Ch 38 or purchase
Sennheiser G3 radiomicrophone systems that can operate a maximum
of 6 channels / systems at the same time in Ch 70
Channel 38 Changeover
It is a fairly complex subject, however we will attempt to provide you with the key information
As
a result of the switchover from analogue to digital TV transmission and
the consequential reduction of frequency spectrum required, the
government is to release (sell off) some radio spectrum for other
purposes. This includes frequencies currently being used by many
radiomicrophone and In-Ear Monitoring (IEM) systems. TV Channel 69 (854
to 862 MHz) is currently designated for radiomicrophones. A great many
wireless products previously sold in the UK operate on Ch 69
Radiomicrophones are the primary user for this part of spectrum, meaning they have the priority on this spectrum's use
Most
products operating on Ch 69 also have access to some deregulated
spectrum in TV channel 70. This narrow slice of spectrum runs from 863
to 865 MHz and will not be affected by the Digital Switch Over. Only a
small number of wireless systems can be used simultaneously in Ch 70,
and this depends upon the technical specification of the radiomicrophone being
used - typically a maximum of 4 systems can be used at the same time
Frequencies within Ch 70 - 863 to 865 MHz are the only part of the UHF spectrum that can be used without holding a licence
Licensed users will have access to Ch 69 until at least July 1st 2012, after which, it will be phased out completely
Ch
38 has been named as the only direct replacement to Ch 69. Radio
astronomy, which currently holds the licence to Ch 38, will be phased
out of this band. As Ch 38 - 606.00 to 614.00MHz is now available
nationwide and temporary access to Ch 39 & 40 has been granted.
However, post
2012, Ch 38 will be the only shared channel available to
radiomicrophone users
Purchasing Licenses
You
can purchase a license from JFMG to use frequencies. As of 2010 for
about £75 / year (or £135 / 2 years) you will be licensed to use up to 14
channels. The organisation that manages frequencies in the UK is JFMG.
They will assign you frequencies to use that are specific for your area
– this ensures that even if your neighbour purchases a license they
will be given a separate set of frequencies and you won’t clash. If you
use frequencies outside of Ch 70, then you are committing an
offence under the Wireless Telegraphy Act - click here to download a JFMG radiomic licence application form
Get more info from
www.jfmg.co.uk
Changes to
Radiomicrophone Frequencies - The Facts
There
has been much publicity concerning the changes which are being made to
the frequency spectrum allocation at Government level, and the extent
to which these changes will impact the use of radiomicrophones in the UK
Some
of the internet campaigns have been scary, and the perceived threats
exaggerated, but it will impact some users so let’s establish some
facts
OfCom
are conducting a review of the available UHF frequencies and will
auction off TV Ch 31 to 37 and Ch 61 to 69 probably for the growing
use of mobile broadband
The vast majority of UK users will be
“community users” operating the de-regulated frequencies and will be
unaffected by the change. That is anyone using Ch 70 - 863 to 865 MHz will not need to change
In any event, the changeover
is not programmed to take effect until after the Olympics and probably
at the end of 2012, so there is no immediate threat
Other
radiomicrophone users will be more seriously impacted called PMSE (programme
makers like the BBC and West End Theatres etc.) This body is
represented by BIERG who are representing the users in talks with
Government
Radiomicrophones (and wireless In-Ear-Monitors) currently use:
Ch 70 UHF frequencies 863 to 865 MHz are de-regulated - these do not
and will not need a license in the UK or EU
Ch 69 UHF frequencies 854 to 862 MHz are regulated and need a license in
the UK and will not be available by the end of
2012 - users will have to change to Ch 38 - 606 to 614 MHz
For those users using de-regulated frequencies for less than four radiomicrophones there will be no requirement to change
Only
those users with multiple radiomicrophones, or using radiomicrophones in the
vicinity of other users and as such have other frequencies licensed to
them will be affected by the change and will need to replace their
equipment
If you come into this category (which is usually Ch 69
- 854 to 862 MHz) provision has been made for Ch 38 - 606 to 614
MHz to be available for radiomicrophone licensing together with some
interim frequencies in Ch 39 and Ch 40
Affected users will need to
change frequencies. Some high end systems including Shure models SLX,
ULX and UHF-R and Sennheiser G3 and 2000 series are adaptable to the
new Ch 38 allocation. Other systems will not be able to re-tuned and
these models will have to be replaced at the owners cost
It is likely that some manufacturers will offer a kind of “trade in” to ease the burden of the cost of change
Any new users who need licensable frequencies will be advised by their
supplier to purchase only systems compatible with the proposed frequency allocation on Ch 38
Many
users will still have older VHF radiomicrophones and can continue to
use
these (170 to 210 MHz) after the TV Digital switch over (DSO) although
they may choose to take this opportunity to upgrade to new UHF equipment
Do I need a Radiomicrophone License?
Not if you are operating less than four radiomicrophones on the de-regulated frequencies between on Ch 70 - 863 to 865 MHz
By
law you will need be in possession of a license to legally operate
radiomicrophones if you are using Ch 69 - 854 to 862 MHz now and change
to Ch 38 - 606 to 614 MHz in 2012. Ch 69 will become illegal for
radiomicrophone use during 2012
Get more info from
www.jfmg.co.uk
Frequently Asked Questions
Q - What is the difference between Single channel, Diversity and True Diversity?
A
- Single channel receivers have one antenna and one receiver circuit.
Diversity receivers have two antennae and a circuit, which selects the
strongest aerial signal. True Diversity receivers have two aerials and
two totally independent RF receiver modules and a circuit, which
selects the best channel for both signal strength and signal-to-noise
ratio
Q - How many transmitters can I use with my
radiomicrophone receiver?
A
- Only one. Two transmitters operating on the same frequency will
interfere with each other. It is possible to have both a handheld and
guitar or clothing-clip mic transmitter on the same frequency, and use
them with the same receiver, but not at the same time
Q - How far from the receiver can I place my antenna?
A
- As long as you use 50 Ohm fully screened RG58 aerial cable up to ten
metres, but the closer the better. It is possible, by employing antenna
amplifiers to run longer cables
Q - Can I use my handheld
radiomicrophone and receiver from different manufacturers if they are on the same frequency?
A
- Possibly yes, but careful attention must be paid to specifications,
because different makes and models have different technical parameters
for equalisation, compression and expansion. Sometimes there are even
compatibility issues between different models from the same
manufacturer. It would be prudent not to assume compatibility between
different manufacturers, unless tried and tested first
Q - Is there a performance difference between UHF and VHF?
A
– No - there is little audible performance difference but, with the
high demand for a greater number of usable, interference free
frequencies, the UHF band offers more opportunities – however the VHF
band can often transmit a longer distance without dropouts
Q - What is a compressor, expander or compander?
A
– The audio signal is compressed (squashed) before being transmitted
and the radiomicrophone receiver expands the signal back to its original
state, thereby improving the signal-to-noise ratio
Q - What is FM Modulation?
A
- FM is the abbreviation for Frequency Modulation, which is the method
of transmitting information by modulating a carrier frequency on a
radio transmitter. The frequency of the carrier wave is varied in
accordance with the amplitude of the input signal, while the amplitude
of the carrier remains unchanged
Q - What is the difference between Squelch and Mute on different
radiomicrophone receivers?
A
– Nothing. A squelch circuit mutes the output of a receiver when the
received signal falls too low for good reception. Some units have
preset mute levels while others have manual settings. It should be set
so that the receiver mutes when the transmitter is switched off, or
goes out of range, before the signal is swamped with noise or
interference. To achieve a good setting, turn the transmitter off - Set
the squelch control to minimum and then turn it up until noise starts
to disappear. A good, tried and tested position for mute/squelch
controls is around a quarter turn from the fully anticlockwise
position
Links to pages and documents relating to Radiomicrophones and their UK frequencies
Sound Advice - Sound Services Guide to Radiomicrophones in the UK
Sound Advice - Sound Services Guide to Radiomicrophone Basics
Sound Advice - Shure Guide to Radiomicrophones
Sound Advice - Audio-Technica Guide to Church
Microphones
Sound Advice - Audio-Technica Guide to Microphones
Get more info from
www.jfmg.co.uk
UHF Frequencies used by various manufacturers
Audio Intimidation
Audio-Technica
Audio-Technica - EU only
Chiayo
Citronic
Gemini 16ch - UK
Gemini 16ch - USA
Gemini 64ch - UK
IMG Stageline - 600 Series inc. TXS-611, TXS-616, TXS-631 & TXS-616 etc.
IMG Stageline - 800 Series inc. TXS-810, TXS830, TXS-840, TXS-870, TXS-880, TXS890 etc.
JTS
KAM
Samson
Sennheiser - Ch 69 & 70
Toa
Trantec
E&OE